A few weeks ago, I had the pleasure of joining fellow Seminole Tribe of Florida staff, and members of the Tribal community, to celebrate the grand opening of the Howard Tiger Recreation Center in Hollywood. Described as a historic day for the Tribe, the inaguration provided attendees with a firsthand look at the gym’s amenities and enlightened many about the history of the Recreation Department.
The new Center was constructed over the past year and was built to replace the original gym established over 40 years ago. The two-story facility features a full size basketball court, fitness center, Boys and Girls Club, and culture department. The Center is also home to the Seminole Sports Hall of Fame collection consisting of several trophies, photographs and plaques honoring Seminole athletes. During the construction of the new gym, the items were temporarily housed at the Ah-Tah-Thi-Ki Museum for safekeeping. As many may recall, selections from the collection formed a popular exhibit during their stay at the Museum. The items are now back at the gym and currently on display in the Center’s lobby.
The event began with a ribbon cutting ceremony attended by a large crowd gathered outside the building eagerly awaiting entry. As we made our way through the doors, many bypassed the lobby and headed straight into the brightly lit gym whose entrance was off to the side. Upon entering, we were greeted by colorful banners, basketball hoops suspended from high ceilings, and a glossy hardwood floor emblazoned with symbols representative of the Tribe.
Members of the Tribal Council and the family of Howard Tiger sat at center court as Moses Jumper Jr. stood between them and acted as the emcee. Throughout the ceremony, many individuals shared sports related stories from their youth while others expressed their gratitude to the Tribal Council who made the construction possible. Several of the speakers also paid tribute to the late Howard Tiger, who established the Tribe’s Recreation Department and mentored a number of the people who took part in the ceremony. The decorated military veteran and gifted athlete was honored with a bronze bust, unveiled at the dedication, to be permanently displayed in the Center’s lobby (pictured above).
The inauguration of this new gym is a testament to the Tribe’s ongoing commitment to serve the Tribal community and impact the lives of future generations. I was thrilled to be a part of this momentous occasion.
A new exhibit at Florida Gulf Coast University (FGCU) features the art of several Seminole artists. The exhibit is called, Long, Long River: Tradition and Expansion in Native Art, and it is co-curated by FGCU Gallery Coordinator Anica Sturdivant and Seminole artist Jessica Osceola. The exhibit explores the pull between tradition and contemporary for Native American artists.
Seminole artists featured in the exhibit include Noah Billie, Elgin Jumper, Jessica Osceola, Jimmy Osceola, LeRoy Osceola, Samuel Tommie, and Oliver Wareham. The Ah-Tah-Thi-Ki Museum was pleased to loan to FGCU two artworks for this exhibit. From the permanent collection, the Museum loaned two painted cow skulls by Noah Billie.
On January 9th, several of us from the Museum had the opportunity to travel over to FGCU to attend the exhibit opening. The well-attended reception included artist introductions, performances, refreshments, and the opportunity to view this excellent exhibit. The performances included an enjoyable story by Oliver Wareham, and an emotional performance piece by Elgin Jumper. It was an enjoyable and memorable evening.
If you can, be sure to make arrangements to go to the exhibit soon, this short exhibit will run only through January 30, 2014. For more information on the exhibit, visit FGCU Main Gallery’s webpage online at http://artgallery.fgcu.edu/Welcome_to_FGCU_Art_Galleries.html or phone the Gallery at 239.590.7199.
(Posted by James Powell on behalf of Ah-Tah-Thi-Ki Museum’s Exhibits Preparator Nora Pinell-Hernandez.)
Otter, Coffee and Sand – Bringing an Interactive Exhibit to Life
by Nora Pinell-Hernandez, Exhibits Preparator
With every exhibit there exists an immense amount of research and consideration involved to make the experience informative and engaging. The Education and Exhibits departments have been working hard to create an interactive activity at the Stranahan Trading Post located in the From the Land gallery of the museum. Visitors, especially students, will have the opportunity to trade deer, alligator, and otter pelts for supplies such as flour, sugar, soap, and fabric-much like what the Seminoles would have traded in the late 1800’s. The activity reinforces the concepts of trade, bartering and basic mathematics to students. As Exhibits Preparator, I oversee the production of props, signage, and display elements that make the space look and function as a trading post. This process requires technical drawings and many test pilots that will inform how the props will be constructed and displayed.
Lucky for me, the façade of the Stranahan Trading Post was constructed in 2007. The crate-like exhibit cases were modified into tables and shelves were constructed to go onto the larger crate. The technical drawing drafted by Rebecca Fell, Curator of Exhibits, was helpful to imagine where the tables will be positioned.
Flour, coffee and sugar sacks were bought with the intention to display them upright. I constructed eye shaped towers to stand the sack upright and created a shallow shelf that will support at least 40lbs of weight.
The sack frame made out of foam board was later dressed with cotton batting. Each sack was topped with a fabric that matched the color of the item: brown painted faux suede was used for sugar, muslin for unbleached flour and a dark cocoa sheer-weave for coffee.
To make the trading post look from the 1800s certain objects needed to be artificially aged. Small pieces from the sack were applied different stains to determine which method would be best to stain all sacks.
We decided to stain all the sacks using method A, which is a concoction of brewed coffee and green tea. The fabric was then dunked in a vat of this concoction 3 times in two hour intervals. This method is easier to manipulate and offers a more natural aged look.
Considering that the public will be interacting with the sacks, a weighted custom crate was constructed to go inside the foam shape – making the sacks less probable to knock over.
Another concern was the material that will be used to weigh down the crates inside of the foam frame and the filler for the brown bags on top of the sacks. Dirt and sand typically found outside may contain bugs, eggs and larvae which can cause severe damage to the collection. To combat the possibility of pest infestation, we decided to use “clean” sand which is sand that has been filtered multiple times.
Our bags of clean sand have been in our Back Bay Area for quite some time which is why we decided to err on the side of caution. We placed our sand in the freezer for over 96 hours in a freezing temperature of -18 degree Fahrenheit. Freezing objects is a preventative technique used to reduce the chances of pest infestation because it can kill insects that cannot adapt quickly to low temperatures.
Faux alligator skin, suede, and fur were purchased to mimic the animal hides that will be used to trade items. A pattern was created to make the process of making multiple alligators easier. Even the feet of the alligators where considered when making the pattern. My favorite part of the entire interactive are the googly eyes on the otter pelts.
The element that brings the entire exhibit together, and makes the interactive feel more authentic is the replica of a receipt sheet that would have been used at the Stranahan Trading Post. The original sheet was scanned and digitally edited by Rebecca Fell. The edited image was then printed on stacks of paper, cut to its original sized, and glued into booklets. Every visitor can now write and take with them a replica of a receipt sheet.
The Stranahan Trading Post took a lot of brainstorming, planning and painstaking labor. Though I truly enjoyed working on this project, nothing felt more satisfying than seeing all of the elements combined together to make an immersive space.
I hope you make a trip over to the museum and make use of our interactive. We otter see you there!
(Posted by James Powell on behalf of Ellen Batchelor, Head of Security, Ah-Tah-Thi-Ki Museum.)
Up On The Roof
by Ellen Batchelor
No this is not the 1962 Drifter’s song!!
The Ah-Tah-Thi-Ki Museum is getting a long-awaited new roof!
While watching the workers climb to the 32 feet peak, I noticed I was not the only one watching! The visitors to the museum were also watching
while the workers swung from spot to spot while perched on the side of the roof!
Can’t help thinking how these guys really “earn” their money. The temperatures are a lot more intense up there with nothing to block out the sweltering sun, not to mention the heat emanating from the metal roof.
Work on the roof is expected to last for up to 9 weeks. But, the Museum will be open regular hours, (9:00am to 5:00pm, 7 days per week), during the entire re-roofing project. We apologize in advance for any dust, noise, or inconvenience of any kind.
“Up on the roof … it’s peaceful as can be … “
(Posted by James Powell on behalf of Dr. Paul Backhouse, Museum Director and Tribal Historic Preservation Officer)
A Trip to the Red Bay Community on Andros Island
by Paul Backhouse
A couple of weeks ago I had an opportunity to visit the Red Bay community on Andros Island in the Bahamas and thought our blog readers might be interested in hearing more about it. Departing early in the morning from the Big Cypress Reservation in a small aircraft and flying southeast of the Florida peninsular we soon glimpsed the surprisingly large land mass of Andros Island out of the plane windows. Andros Island was not like the other Bahamian islands I had previously travelled to and viewed from the air much of the more than 100 miles of coastline is largely undeveloped.
We were soon on the ground and warmly welcomed by folks who had invited the Chairman of the Tribe, James Billie, to visit their island. Our visit also happened to coincide with “Crab Fest” and we were received with full VIP treatment for the event. The crustaceans in question were indeed formidable beasts, large land crabs that roam the island. We had spotted a particularly large one on route to the festival as he foraged for algae (their main diet) amongst the bushes. At the festival a small enclosure allowed us to get a closer look at some specimens and the pincers certainly were impressive!
We were not at the festival long before we were on the road bumping our way up the Queen’s Highway to the Red Bay settlement on the northwest tip of the island. The drive was long and for me most enjoyable as were driving on the correct side of the road (the left!). Our observation from the air had been correct and we barely saw any other houses until we reached the small settlement of Red Bay. This community was the primary reason for our trip. The people living in this area are largely descendants of indigenous and ‘Black Seminole’ communities that had escaped Florida in 1821 shortly after Spain ceded Florida to the US. As we bounced down the road I tried to imagine the struggle that these people had been through to reach Andros Island and the hardships that they had endured.
Once we reached the Red Bay settlement it became almost immediately obvious that the community had distinct cultural origins. Palmetto leaves were hanging outside a small wooden house as we pulled up. We were warmly welcomed into the house and introduced to the residents – Reverend Bertram A. Newton and his wife Rose Newton.
Reverend Newton was a tremendously kind individual and I felt privileged to witness him and his wife meeting the Chairman of the Seminole Tribe. Rose was busy making a basket in her living room, weaving palmetto leaves together without use of any additional materials to make beautiful baskets. During the visit I was struck by the heat within the wooden framed housing. No air conditioners and only limited breezes from the doors and windows that were wide open.
A little further up the road we came across a compound of houses that rose had directed us to in order to purchase one of her beautiful baskets. We were interested to see the compound was arranged so that a cooking area was set-aside in a separate structure and a palmetto ‘camp’ structure was also still being used.
At this camp we purchased basketry that had been crafted by Rose and also her sister Eva. I selected a rather handsome basket that was crafted by Eva and this will be added to our collection back at the museum shortly. We hope you will get the opportunity to visit and see the basket yourself and as for me I will never forget my visit to the Red Bay community.